For the past four years, Wizkid has confidently pursued an artistic direction first unveiled with his 2020 R&B fusion masterpiece, “Made in Lagos.” His sixth studio album, “Morayo,” builds on this foundation, retaining the signature elements of his recent works while offering an irresistibly sweet listening experience with outstanding replay value.
The album, named in honour of his late mother, who passed away in 2023, opens with emotional weight. The first track, “Troubled Mind,” features a poignant performance by Fuji legend Wasiu Ayinde, sampled from Wizkid’s mother’s burial. The song navigates profound emotions, underscored by familiar African rhythmic patterns that lend depth and authenticity to the track.
While the album leans more heavily into Afrobeats than his recent releases, Wizkid doesn’t stray far from his established sound. His hallmark lush melodies, mid-tempo grooves, and smooth vocal delivery remain constant, providing listeners with every facet of the Wizkid they’ve grown to adore.
14 tracks feature long-time collaborator P2J’s production, which creates a cohesive soundscape. The album effortlessly transitions between high-energy party anthems and introspective moments. Tracks like “Kese (Dance),” “Karamo,” “Bend,” and “Bad Girl” (featuring Asake) exemplify Wizkid’s knack for crafting infectious dance tracks while maintaining his signature fusion of styles.
A standout moment emerges with “Après Minuit,” featuring Tiakola. This track encapsulates the album’s international appeal and showcases Wizkid’s musical versatility. The seamless blend of styles ensures the song becomes an instant listener favourite.
The R&B influences that have characterized Wizkid’s music since 2020 are beautifully present. Tracks like “Time” (featuring Tay Iwar and Aylo) and “Peace of My Heart” showcase his continued exploration of the genre, executed with the freedom and finesse of an Afrobeats artist.
Wizkid’s choice of collaborators elevates Morayo to new heights. Jazmine Sullivan’s soulful vocals on “Bad for You” and Brent Faiyaz’s complementary style on “Piece of My Heart” add richness to the project. Asake’s energetic contribution to “Bad Girl,” alongside international features like Tiakola and Anaïs Cardot, expands the album’s global reach.
What makes Morayo exceptional is how seamlessly the features blend with Wizkid’s artistic vision. Every collaboration feels deliberate and adds to the album’s emotional and musical depth without overshadowing Wizkid himself. Each artist contributes to a larger narrative that enhances the listening experience.
In many ways, Morayo stands alongside “Made in Lagos” as one of Wizkid’s most compelling works. It is a testament to his ability to channel personal grief into a universal musical experience, inviting listeners to dance, reflect, and heal.
This album is more than just a collection of songs—it’s a deeply personal journey, a tribute to his mother, and a milestone in Wizkid’s evolution as an artist.
Morayo solidifies his place at the forefront of contemporary African music, continuing to push boundaries while remaining rooted in his heritage.
